Lust Caution by Eileen Chang Essay

In the novel Lust, guard by Eileen Chang, there are debates of the priming coat why Wang Jiazhi made the decision to check Yi and to let him go, which is non entirely a betrayal to her mission only when besides a suicidal action which eventually led to her demolition. This action of hers involves multiple affable origins from Wangs childhood memory and family social organisation through out her engender of cosmos a student with her peers to her subtle affinity with Yi during her spying mission. such experiences formed world-shaking psychological defenses within her according to the analysis of Freud.The movie Lust, Caution provides a much fuller explanation and details near what the author of book did not poke out thoroughly, which is the family background of Wang Jiazhi. There is a movie in the movie that Wang is sitting in a shabby room and seek to organize her word for the wedding greetings to her generate who moved oversea years agone with her superficial brother when she was a child. The experience of her male parents leaving at her young age leads to her fear of forsaking after she grows up, the unshakable stamp that her friends and love ones cannot be trusted.The fact that her father brought her little brother with him but left her at home creates a further look that she is less worthy than other great deal and, therefore, does not deserve attention, love, or any(prenominal) other intents rewards, which is called utter self-esteem in the psychoanalysis. Her fear of abandonment and low self-esteem add in concert and form her most essential psychogenic defense fear of intimacy, the chronic and overmaster savour that turned on(p) closeness allow seriously hurt or write d aver her and that she can remain emotionally gumshoe only remaining at an emotional distance from others at all times. These mental defenses of Wang appear in different areas in her personal and social behavior, and generally chance upon Wang in her processes of decision making.In Wangs social invigoration, the main part of the coif of her solitude does not come from her peers but rather from her prejudice to herself and hatred of her take in bread and butter and identity. Within a patriotism student division, the members of the division are so-called to induct an extremely strong and impish emotional bond. However, as the key means of this operation, Wang and her view of her peers and coworkers are strangely coloured and distanced. When she thinksabout them, she sees the detestable eyes and purposeful smile appear on her friends face. Her belief of how her friends in fact hate her and joke at her at behind reflects on the definition of fear of abandonment in the theory of the psychoanalysis.During her spying mission, Wangs interaction with Yi, a married short domain in his forties or mid-fifties according the description in the novel, revealed other psychological defense of Wang oedipal fixation, a dysfuncti onal bond with a parent of the opposer sex that she does not outgrow in adulthood and that does not allow her to coach mature relationship with her peers. Despite the fact that Wangs relationship with Yi is based on a conspiracy, Wang has certainly developed some kind of emotion that is beyond her cast as a spy toward her subprogram and her target, Mr. Yi. Although the fact that Yi is in his forties or fifties may impair his beguile in many ways, for Wang the age of Yi provides her a sense of fatherhood, which has been absent from her flavor since she was a young girl. Also, having a love amour with a married man gives her the feeling of competing with another woman, which reflects her being influenced by her fathers marriage.Being chosen to tender the role of the mistress of Yi, Wang Jiazhi not only is an extremely skilled actress, but withal has putted her full passion and dedication into her component part even beyond the expectation of her job. Such a strong emotional shackle to her target and her liveliness as Wang, the character, contributed largely to her excellence at the job heretofore at the same time, made it rattling hard for her to distinguish her own life as a spy and the life as Wang Jiazhi, who lives a luxury life and has no relation with the life of her own, the life filled with confusion, self doubt, and fear of betrayal. Wangs small actions unconsciously depict a strong sense of hatred to her own life. She hates her family, her friends, and most importantly, herself. Her life is pointless move out when she is with Yi, she finds the meaning and purpose of living.Wang feels truly hot only when she is acting as soulfulness else, someone who could be anyone but herself. Therefore, Wang becomes so attached to her character that has forgotten that the lord intention of this mission is to end it. When she is in the jewelry store with Yi, she realizes that this is her final game of beingWang Jiazhi. However, she can still reckon her ending pose. Wang chooses to warn Yi and to release him. As the result of her decision, she dies, and the Wang Jiazhi the character leaves the stage, but the childs play continues without Wang Jiazhi. In this way she does not have to return to her own life which she thinks is not worth of living. She, as an actress, has devoted her life for acting and has chosen to end her life as Wang Jiazhi for her stage and her own masterpiece. Her death has no direct relation with her marrow to Yi. She has lived in her art and she died for her acting.